YAO Musicians: Tell Me What's On Your Musical Shopping List!
As we approach our final regular rehearsal before our October 16th concert, I need to know where you think we stand on the pieces we are about to perform. Usually, I pick out the spots to rehearse, and follow these "spot checks" with a run through of the work. Now, I need to know what YOU think we need to rehearse! In the comment section below, please tell me:• the work
• the movement
• the measure numbers
• what we're trying to improve
• any other comments you would like to share
Remember, musicians: I am COUNTING on you to make suggestions! What YOU think matters!
I look forward to seeing you on Tuesday.
Dr. Gary A. Robinson


9 Comments:
Mendelssohn
Movement III
measures 30-31 and 36-37
coordination -- I have a feeling we (clarinets) are not in time with Kevin.
also,
Mendelssohn
Movement I
letter L (esp. measures 377-386)
woodwinds are never perfectly together
- Alix C.
Massenet
Movement 4
248-249
The transition could be cleaner, maybe watch more
- Charlene H.
Massenet
Movement IV
letter D(measures 58-69)
cellos need to work on intonation and togetherness
~Rachel Masotti
Massenet
Movement IV
letter R to the end
-the whole orchestra needs to work on speed and togetherness
-feels like some sections may be rushing and others lagging behind
Mendelssohn
Movement IV
measures 212-217
-cellos need to work on speed and intonation
-we(cellos) need to be practicing this part slowly and carefully so that we can get through this spot when it comes time for the concert on Thursday
Wroten
throughout whole piece
-orchestra needs to watch the conductor always so that we come in and play at the correct times
-we tend to come in too early or late even
In the first movement of the Massenet, we need to really watch Dr. Robinson at letter E (the chorale section). Some people are arriving at the resolution of the cadence early. This can be very powerful part of the movement, but to do this effectively, we have to watch the baton.
Missy Gaddy
In the first movement of the Mendelssohn after letter N, (measure 458) there is some uncertainty as to where the orchestra joins Kevin. Because this is an important entrance, it would be wonderful to be watching Dr. Robinson in the measures proceeding and to come in precisely with the cue.
Hi Dad!
Your website looks great, and what a great rehearsal idea!
Love,
Chloe
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